Thank God for crate-diggers. Providing a valuable service for all mankind, this particular breed of lunatic scours the far-flung, dusty corners of recorded music to deliver us sonic artifacts rescued from obscurity. Without these freaks most of us would have no idea how awesome Cambodian psych-rock,Iranian Jazz-Fusion, and Australian biker movie soundtracks are. Finders Keepers is one of those record labels that rarely leaves any stone unturned in their pursuit of killer jams from around the world. Starting this Saturday, Finders Keepers’ co-founder Doug Shipton will be in town for a myriad of cool events celebrating the unsung, under-appreciated and just plain forgotten music of yesterday.
As we’re sure you know, many of EVR’s DJs are proponents of the kind of obscure music Finders Keepers trades in. Mr. Shipton will be doing a guest DJ set on EVR’s Morricone Youth program on Sunday, June 19th at 2pm ET as well as manning the wheels of steel alongside Minimal Wave’s Veronica Vasicka on Saturday Night at Public Assembly for the Other Music/Academy Annex Northside Showcase. The London-based Shipton will wrap up his NYC takeover on Thursday, June 23rd with yet another DJ gig at at The Commodore in Williamsburg along with sets by Just Music’s Casey Block and Morricone Youth’s Devin E. Levins—an event celebrating the release of Absolute Fusioon, an album of killer progressive rock from Spain.
Watch the trailers for Stone and Werewolves On Wheels, two films whose soundtracks have been re-issued by Finders Keepers and will be screened at Williamsburg's Spectacle Theater on Tuesday, June 21st and try to make it out to some of these rad events Finders Keepers has put together.
Just watched "3 Women" a 1977 film directed by Robert Altman, starring Shelley Duvall, Sissy Spacek, and Janice Rule. I was blown away by the haunting score composed by Gerald Busby, a long time resident of the Chelsea Hotel, with whom I was unfamiliar. Prior to 3 Women, Busby composed the score for "Runes", a ballet commissioned for the Paul Taylor Dance Company and worked as an associate with Virgil Thomson during that composer's later years and was the subject of one of Virgil's "Portraits in Music." He is not credited to any other feature films.
Great film. Great score. Hope to play some of the music on the next show if I can track it down.
SongwriterJoseph Brooks, who rose to fame after penning the No. 1 hit, 'You Light Up My Life,' was found dead yesterday (May 22) of an apparent suicide. He was 73. The New York City resident was discovered late Sunday afternoon on his living room couch with a plastic dry-cleaning bag around his head, a towel around his neck, and a hose attached to a helium tank inside the bag.
The father of two left a three-page suicide note detailing his various health issues. He had been awaiting trial on charges of 82 sex crimes, after allegedly luring women to his apartment under the guise of auditioning them for roles in upcoming films. In addition, his Upper East Side apartment was the cause of a recent lawsuit, with a former friend trying to seize the 15th floor co-op to recover more than three million dollars in debt that Brooks owed. Neighbors report that Brooks frequently had young women visiting him, even after a stroke left him partially disabled in 2008. He sued a 22-year-old former fiancée two years ago, after allegedly spending more than two million dollars on her, before learning she was married. The last person known to see Brooks alive was a deli worker, Jamie Lee, who routinely sold him the Sunday newspaper. "He normally buys papers, but [yesterday he just bought orange juice," she reveals to theNew York Daily News. "I thought that was unusual." Brooks' 25-year-old son, Nicholas, is awaiting trial on murder, accused of strangling his former girlfriend, swimsuit designer Sylvie Cachay, last year.
In the 1960s, Brooks composed advertising jingles for clients including Pepsi ("You've Got a Lot to Live") and Maxwell House ("Good to the Last Drop Feeling").
'You Light Up My Life' was featured on the soundtrack of a 1977filmby the same name, starringDidi ConnandMichael Zaslow. The song earned Brooks an Oscar for Best Original Song, as well as a Grammy Award for Record of the Year.Debby Boonereleased the song as a single, which became the title track of her debut album, with Brooks producing the entire project. The song was later covered by more than a dozen artists, includingLeAnn Rimes,Whitney Houston,Perry Como,Kenny RogersandLee Greenwood.
..."Imaginary film scores such as Rome constitute a niche genre whose early entries include Brian Eno’s Music for Films, from 1978, Frank Zappa’s 1984 Thing-Fish, and John Zorn’s 1991 Spillane. And before Rome, the tellingly-named band Morricone Youth released (in 2005) an Italian-inspired imaginary score, Silenzio Violento.
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On Morricone Youth this weekend, host Devon E. Levins will welcome onto the program acclaimed film, television and video game soundtrack composer Bear McCreary for an exclusive interview and in-depth listen to his music.
At the ripe old age of 24, Bear McCreary was launched into pop culture with his score to Sci Fi Channel's hit, Battlestar Galactica. Four seasons and seventy-five episodes later, Galacticais universally revered, having won the prestigious Peabody Award and special recognition from the United Nations, establishing himself as a major creative force in the industry. Io9.com declared Bear McCreary one of the Ten Best Science Fiction Composers of all time, listing him alongside legends John Williams, Jerry Goldsmith and Bernard Herrmann. He was the only composer under 50 on the list, (he is now 32). Teaming with renowned musicians such as Steve Bartek and Vatos Hernandez of Oingo Boingo, McCreary created the Battlestar Galactica Orchestra which he has conducted before audiences in sold-out venues around Southern California and, in 2010, Spain playing with the Tenerife Symphony Orchestra and Choir for a massive concert in the world-renowned Tenerife Auditorium.
McCreary's unique combination of atypical instrumental background (he is a professional accordionist) with rigorous classical training (degrees in Composition and Recording Arts from the prestigious USC Thornton School of Music) prepared him to write for quirky, off-kilter ensembles or symphonic orchestras. Or both at once. Among the select protégés of the late Elmer Bernstein (The Magnificent Seven, The Silencers, Man With the Golden Arm, Ghostbusters), McCreary worked closely with the film music legend for nearly a decade. Working from Bernstein's own hand-written pencil sketches, McCreary completely reconstructed and re-orchestrated Bernstein's 1963 score for Kings of the Sun, starring Yul Brynner. Elmer Bernstein himself conducted McCreary's Kings concert suite in performances around the world. The collaboration resulted in the first time the complete score became available as a soundtrack album in forty years.
Bear McCreary has provided unique and critically acclaimed scores for FOX's Terminator: The Sarah Connor Chronicles, the NBC medical drama Trauma, and SyFy Channel's hit series Eureka and Caprica. He also provided an unprecendented live orchestral score for FOX's comic-book action series Human Target, recording with the "largest group of musicians to play on a live-action TV series in years."In the summer of 2010, McCreary scored his first theatrical feature film, Step Up 3D, for Touchstone Pictures. McCreary's other feature film work includes Warner Bros.' Rest Stop (2006), its successful sequel Rest Stop: Don't Look Back (2008), and Twentieth Century Fox's Wrong Turn 2 (2007). He most recently scored The Walking Dead, AMC's adaptation of the beloved comic book, collaborating with writer/director Frank Darabont (The Shawshank Redemption) and producer Gale Ann Hurd (Aliens, Terminator). He is currently composing a full orchestral score to NBC's superhero drama The Cape.
To add to McCreary's video game score credits (CAPCOM's Dark Void and its retro spin-off Dark Void Zero), McCreary's Original Soundtrack for the highly-anticipated next generation console entry in Sony Playstation's best selling franchiseSOCOM 4, was released last week as a deluxe 2CD (limited edition 2,000 copies) by La-La Land Records. "SOCOM 4 is the most exotic score I’ve composed," states McCreary on his website (www.bearmccreary.com). "One that represents a striking step away from the usual tone of the shooter video game genre." It features a full orchestra and Asian instruments, including the spectacularly other-worldly tones of a gamelan ensemble. Bear McCreary will be signing copies of the SOCOM 4 at Dark Delicacies (3512 W. Magnolia, Burbank, CA 91505) on May 21, 2011. This, along with the composer's illustrious career, will be the subject of this Sunday's edition of Morricone Youth.
Listen live or to the archive HERE starting at 2pm ET on Sunday!
