From scores to special sound effects, from Halloween stalkers to STAR TREK, Alan Howarth's electronic imagination has contributed to some of the biggest genre films of t10
he '80s. Alternately wearing the hats of both composer and sound effects man, Howarth has been a frequent collaborator with John Carpenter on his films beginning with ESCAPE FROM NEW YORK in 1980 and including HALLOWEEN II & III, CHRISTINE, BIG TROUBLE IN LITTLE CHINA, THEY LIVE and PRINCE OF DARKNESS and has scored many on his own, including THE LOST EMPIRE, RETRIBUTION, HALLOWEEN 4 & 5, THE DENTIST, HEADLESS, BOO! And, most recently, EVILUTION and BASEMENT JACK. He has also provided sound design for films like POLTERGEIST, RAIDERS OF THE LOST ARK, all the STAR TREK movies, THE HUNT FOR RED OCTOBER, Coppola's DRACULA, TOTAL RECALL, and STARGATE, among others. In 2001, Alan served as Chief Audio Officer at Electronic Arts, the video game giant. His personal and technical interests have lead to research and development and creation of an immersive audio system that plays back audio as Sound Pixels™. Surrounded by this 48.6 channel playback technology, he is also working with colleagues Wesley H. Bateman and Dr J.J.Hurtak in musicological research that has lead to RA Music™ consisting of frequencies defined by the Sacred Geometry of Ancient structures.
The Thing, along with the composer's illustrious career, will be the subject of this Sunday's edition of Morricone Youth.
Listen live starting at 2pm ET on Sunday!
Devon E. Levins
Morricone Youth
Sundays 2:00pm-4:00pm ET
check out Alan Howarth's sites here:
www.alanhowarth.com
www.RAmusic.com
www.Transitionearth.com
www.buysoundtrax.com
The interview is archived HERE!













