Friday, May 18, 2012

Silencio: Tribute to David Lynch & Angelo Badalamenti on Morricone Youth, Sun 5/20 2pm ET

On Morricone Youth this Sunday (2pm ET), host Devon E. Levins welcomes Silencio, a Pittsburgh-based sextet inspired by the film and television music of David Lynch and Angelo Badalamenti. The mystery and dark intrigue surrounding the cooperative works of Lynch and Badalamenti has mesmerized and haunted many a subconscious over the years.  There’s something unique about the pairing of Badalamenti’s musical scores to Lynch’s dreamy scenery that is unsettling and simultaneously familiar.  There’s also an era of innocence in the music that creates a timeless appeal without regard to the modern, nightmarish and sometimes corrupt scenarios presented within the films.  It’s these things that keep people perpetually fascinated with the works of these genius artists, and it’s these things that have initiated the project Silencio, a formation of musicians situated around two core members from the Pittsburgh band Mandrake Project…A group that’s no stranger to working within the cinematic genre.  
 
 
 
Silencio began as a recording project between David Jamison and Kirk Salopek who had shared a longtime mutual admiration for the work of Lynch’s films and Badalamenti’s eerie, jazzy scores.  They also realized to their surprise that nothing quite like Silencio really existed.  Of course there are the droves of Lynch/Badalamenti devotees, inspirees and bands covering the occasional movie theme, but no one seems to have embraced the WHOLE concept as a direct and focused project.  Both Salopek and Jamison had a number of original ideas inspired directly from the musical selections in "Twin Peaks," "Mulholland Drive" and "Lost Highway" which quickly took shape into material for their debut album scheduled for release on June 30th.  Not long after recording began, the search for additional players ensued and the decision to perform the project as an entire Lynch tribute was solidified.  What was first planned as a rotating line-up of members turned into a dedicated, full-time cast adopting Matt Booth (upright & electric bass), Lee Hintenlang (sax), Dan Barrett (keys) and the uber-sultry Dessa Poljak handling the haunting, smoky duty of vocals.
 
 
 
Silencio performs selections from all of Lynch’s films spanning “Eraserhead” to “Inland Empire”, with a focus on the works from the “Twin Peaks” series and “Fire Walk With Me” film. The group’s original offerings seamlessly intersperse throughout the movie material and fit the occasion as if it were written as outtakes from some of Badalamenti’s “Lynch-iest” sessions.  If there were ever a group to perform for an event and capture the vibe of a “damn fine cup of coffee”, cherry pie and wind through the Douglas Firs, then Silencio is that group. The band will be performing later that evening, Sunday, May 20 at Le Poisson Rouge at 7:30pm ET.
 
Listen live or to the archive HERE starting at 2pm ET this Sunday!
 

Wednesday, May 9, 2012

Morricone Youth Scores F.W. Murnau's 1927 Classic "Sunrise" 5/13 12p and 5/15 7:30p at Nitehawk



Morricone Youth returns to Nitehawk Cinema in Williamsburg, Brooklyn (136 Metropolitan Avenue) to provide the live score to F.W. Murnau's 1927 silent film classic "Sunrise" this Sunday 5/13 12p and Tuesday 5/15 7:30p.  Buy advance tickets HERE.  This event will sell out.


SUNRISE is the supreme silent film, the highest peak of a lost art form. F.W. Murnau, the German director of "Nosferatu: A Symphony of Horror," was brought to Hollywood, given an unlimited budget. The result is Murnau's masterwork, "Sunrise: A Song of Two Humans," It's a timeless tale of murder, love, emotion, seduction, and reconciliation. A couple's love is set against the hostile, destructive forces of the Jazz Age City. A mythical story played out in polar oppositions, sunrise/sunset, light/dark, farm/city... Almost without any dialogue (there are just a few intertitles), it is the use of images that brings this film to such significance. It uses all the unique abilities of the silent film to create ideas , sensations, a living dream.


Saturday, May 5, 2012

Composer Danny Elfman on Morricone Youth this Sun 5/6 at 2-4p ET

Be sure to listen to Morricone Youth on Sunday, May 6th starting at 2pm ET, as host Devon E. Levins will welcome acclaimed film and television soundtrack composer Danny Elfman for an exclusive interview and in-depth listen to his music. Danny Elfman's score to Dark Shadows, along with the composer's highly distinguished career, will be the subject of this special show.
Los Angeles-born and raised Daniel Robert Elfman spent his youth in the flickering light of a movie theater, where his affinity for film music was born. His musical idols of the time were all film composers: Bernard Herrmann, Franz Waxman, Dimitri Tiomkin, Max Steiner. Despite a career that started with a rock band (Oingo Boingo,of course), Elfman would eventually move into scoring films, where he would not only showcase a talent that payed homage to the film score masters, but to the 1930s bouncing jazz sounds of artists like Cab Calloway and classical composers Prokofiev and Stravinsky.


His personal tastes for the off-kilter and bizarre made him a popular choice for the darker edges of cinema, but that reputation as a "dark" composer seemed unearned judging by his credits. His first studio film score was for Tim Burton's Pee-Wee's Big Adventure (1985), where Elfman scored the comic exploits of Pee-Wee Herman with a Nino Rota-like carnival score. Comedy assignments followed -- Back To School and Summer School -- both of which benefited from Elfman's orchestral scores. His efforts at this point belied his lack of formal musical training. In fact, Elfman had not studied composition, orchestration, counterpoint or conducting, instead picking up these skills through trial and error, and by simply composing. His Oingo Boingo bandmate Steve Bartek acted as Elfman's orchestrator.



Despite his outsider status in a part of the film industry dominated by traditions, Elfman continued to set film music trends. His breezy rock n' roll style score for Midnight Run inspired a never-ending wave of imitators, but it wasn't until 1989 when Elfman turned heads with his towering masterwork for Tim Burton's Batman. It was this score that catapulted Elfman into A-list assignments that were often tuned into his sensibilities. It also allowed the composer to work with directors for whom he admired. In the early '90s he collaborated with Clive Barker (Nightbreed) and Sam Raimi (Darkman). His success with Batman made him a natural choice to score Warren Beatty's Dick Tracy. It was at this point that Elfman had earned his reputation as the darker film composer alternative. Richard Donner's Scrooged, Burton's Beetlejuice and Edward Scissorhands, all helped solidify the "Elfman sound." Elfman has since scored a broad range of films for a who's who of directors including Gus Van Zant (Good Will Hunting and Milk, both Oscar-nominated scores), Barry Sonnenfeld (Men In Black, Oscar nominated score), Brian de Palma (Mission: Impossible), Sam Raimi (A Simple Plan, starring Elfman's wife Bridget Fonda, Spider-Man 1 and Spider-Man 2), Guillermo del Toro (Hellboy 2), Peter Jackson (The Frighteners) and, obviously, further collaborations with Burton (Sleepy Hollow, Planet of the Apes, Big Fish, an Oscar nominated score, Charlie & the Chocolate Factory and Alice in Wonderland).

A Danny Elfman bio would be remiss without referencing Oingo Boingo. The band arose out of the Mystic Knights of the Oingo Boingo, an avant-garde comedy/music/theatre troupe founded by Danny Elfman's older brother Richard in 1972. During that period Richard directed the underground cult film Forbbiden Zone (1980), for which Danny provided the music. When the Mystic Knights dissolved in 1978, the younger Elfman consolidated it's musical elements into a more manageable band format. With a scaled-down name, their new line-up as an octet went on to become a cult phenomenon producing eight studio albums while working around the demands of Elfman's budding career as a film composer penning ska-influnced new wave hits such as Dead Man's Party, Private Life and Weird Science. The group's final album was 1994's Boingo, released before they officially bid adieu to their hometown fans with a performance at the Universal Amphitheatre on Halloween 1995.


27 years since Pee-Wee's Big Adventure, Elfman has gone on to score all but two of Burton's major studio releases—Ed Wood and Sweeney Todd—including Burton's latest, Dark Shadows, a film based on the 1966-1971 gothic soap opera, starring Johnny Depp as the 200-year old vampire Barnabas Collins and Michelle Pfeiffer as his reclusive cousin and matriarch of the Collins family. The film is in theaters on May 11, 2012 and the soundtrack is available on WaterTower Records on Tuesday, May 8, 2012.



Listen live here, or via EVR's free mobile app for iPhone and Android, starting at 2pm ET on Sunday, May 6th!




Saturday, April 14, 2012

STUART ARGABRIGHT of BLACK RAIN Guests on Morricone Youth Sun 2pm ET

London-based label Blackest Ever Black is releasing a limited edition compilation of post-industrial soundtrack compositions recorded between 1993 and 1994 by New York electronic duo Black Rain, available on vinyl for the first time. Morricone Youth host Devon E. Levins will welcome Stuart Argabright on the show this Sunday for an exclusive interview and listen to the new release and some of his other film and television music.



"Now I'm Just A Number: Soundtracks 1993-94" is a collection of cues by Stuart Argabright and his Death Comet Crew accomplice Shinichi Shimokawa. Working together as Black Rain, the two were commissioned to score Robert Longo's 1995 film "Johnny Mnemonic" and an audiobook version of seminal cyberpunk novel "Neuromancer," both coincidentally written by William Gibson. Argabright had been working with both Gibson and Longo on various projects since 1984. Ultimately these sounds never made it to the final cut of "Johnny Mnemonic" although collected on the 1995 and 1996 CD's released by D.C.'s Fifth Colvmn Records entitled "1.0" and "Nanarchy," respectively. Black Rain originally formed in 1989 as a post-punk/post-industrial band comprised of Argabright, Shimokawa, Dave Vulcan, Bones and Thom Furtado incorporating punk tempos, short concise song forms, turbo drumming, metal percussion and sound effects while performing at the likes of CBGB's, The Bank, Bond Street Café, C Squat and the Anniversary Party of the Tompkins Square Park Riots. Black Rain had their final show before scaling down to a duo opening for G.G. Allin at The Gas Station in 1993. 

Stuart Argabright has been working in NYC since 1978 as an artist, producer, director, composer and member of acts such as Ike Yard (a four-way synth attack which became the first American group to have a full-length released on Factory Recordsand later composing music for Tomas Koolhaas' documentary "REM"), The Rudements, Futants, Death Comet Crew (Nicholas Roeg's "Insignificance"), Dominatrix ("Grosse Pointe Blank"), The Voodooists (Jonathan Demme's "Married To The Mob"). From 1997 to 2002, Stuart joined ex-Bowie synth guitarist Chuck Hammer to compose over 80 original scores for cable television programs including "Trauma: Life In The ER," "Paramedics," "Breaking News," "Maternity Ward" and "World Birth Day." "Trauma" was nominated for an Emmy Award in 2001. Black Rain will be performing this weekend at the Issue Project Room in Brooklyn with Ukranian sound-collagist Kotra on Saturday, April 21, day three of the four day Unsound Festival. The bill is a part of the Unsound Labs Program featuring collaborations between musicians of different backgrounds working together for the first time in a series of unique free performances. Curated to cross borders related to matters of sound and geography, this year's program pairs artists from Eastern Europe and Scandinavia with musicians from the U.S.



Black Rain and Stuart Argabright's other music of the moving image highlights will be the subject of this Sunday's edition of Morricone Youth. Listen live starting at 2pm ET this Sunday.  As always the show will archived HERE!

Friday, March 30, 2012

MORRICONE YOUTH Live Scores Jean Rollin's FASCINATION Two Nights! 3/30 and 3/31


The sexual-psychological thriller masterpiece of renowned French filmmaker Jean Rollin, FASCINATION follows a swaggering thief who hides out in a lavish chateau, holding the occupants at gunpoint. When night falls, he realizes that these two maids are not only deadlier than he imagined, but are gatekeepers to a ring of women with a thirst for blood. The supernatural of the traditional vampire tale is here replaced by the perversity of the blood fetish. This is exploitation cinema of a wholly different kind.

Morricone Youth will provide the music and soundscape for Fascination for 2 nights Friday 3/30 and Saturday 3/31 at Midnight.  Advance tickets available here:

http://www.nitehawkcinema.com/movie.php?movie=143#

Co-Presented by Finders Keepers Records/B-Music who recently released the Original Soundtrack composed by Philippe D'Aram on March 12th. 
Finders Keepers will be hosting a raffle of their new Jean Rollin comp: The B-Music of Jean Rollin both nights after the film!

http://www.finderskeepersrecords.com/discog_fkr054a.html


Thursday, March 22, 2012

Composer Larry Groupé on Morricone Youth, Sun 3/25 @ 2p ET

On Morricone Youth this weekend, host Devon E. Levins will welcome acclaimed film and television soundtrack composer Larry Groupé for an exclusive interview and in-depth listen to his music. Larry Groupé might be most known for his collaborations with writer-director Rod Lurie, notably his latest 2011 score for the remake of the 1971 cult classic Straw Dogs (starring James Marsden, Kate Bosworth and Alexander Skarsgård), sports docu-drama Resurrecting the Champ (Samuel L. Jackson and Josh Hartnett), doomsday thriller Deterrence (Kevin Pollack and Timothy Hutton), political dramas Nothing but the Truth (Kate Beckinsale, Matt Dillon and Alan Alda) and The Contender (Joan Allen, Gary Oldman and Jeff Bridges), the latter of which received multiple Academy Award nominations, and ABC TV's drama series Commander in Chief and Line of Fire, nominated for Emmy and Grammy awards as composer of best original score.



A graduate of the Conservatory of Music at the University of the Pacific, Larry earned his Masters of Music in Composition at theUniversity of California San Diego where he studied with Toru Takemitsu, John Cage, Roger Reynolds and Pauline Oliveros. His composing, orchestrating and conducting skills subsequently lead him to the world of film scoring where he won the New York Film Awardfor "Best Score” for The Encounter and two Emmy awards for best documentary score for Jonas Salk: Personally Speaking and Residue. Other notable projects include Ed Wood's last script I Woke Up Early the Day I Died produced as a silent film by and starring Billy Zane, Mike Binder's HBO comedy series The Mind of the Married Man and comedy Man About Town (Ben Affleck), and docudrama Missionsperformed by the London Philharmonic Orchestra at Abbey Road Studios.



Larry has composed, conducted and produced over eighty CD recordings and enjoyed special recognition when he teamed up with the Classic Rock legends YES co-composing ten original songs on the 2001 "Magnification" album, as well as writing overtures, arrangements and conducting the orchestra on the YESsymphonic Tour of the World. He will be revisiting this collaboration this summer when he and original YES vocalist Jon Anderson perform selected works from this album along with others at the EarthDay Festival in Matto Grosso, Brazil on September 8, 9 and 10, 2012. Larry's latest film projects in 2012 include Rocky Capella's Sleeping with the Lion and Jordan Alan's Cats Dancing on Jupiter and Deconstruction Red.



Larry Groupé's distinguished career will be the subject of this Sunday's edition of Morricone Youth. Listen live starting at 2pm ET this Sunday.


Also please visit Larry Groupe's site at http://www.larrygroupe.com/

Saturday, March 17, 2012

John Lurie Returns on Lounge Lizards Special on Morricone Youth, Sun 3/18 @ 2pm ET

Be sure to listen to Morricone Youth on Sunday at 2pm ET as your host Devon E. Levins once again welcomes downtown NYC legend and accomplished painter John Lurie to the studio for a special show.

Last time Mr. Lurie graced the EVR studios with his magnanimous presence was this past autumn for a two-part special in which the musician-turned-painter talked about his soundtrack work (check that out here and here). This time, the show will focus on the genre-blurring work of Lurie’s band, The Lounge Lizards. Expect to hear classic cuts and Lurie’s insights into the formation and legacy of one of the most interesting musical acts to emerge at a time when New York City was bursting at the seams with them.

Listen live on Sunday, March 18th at 2pm ET right here or via our free mobile app for iPhone and Android.















Friday, March 9, 2012

3/11 2-4p EST: Tribute to Wrecking Crew Guitarist/Composer BILLY STRANGE (1930-2012)



Prolific composer, session guitarist, arranger, vocalist and actor Billy Strange (born William Everett Strange in Long Beach, CA) died on Wednesday, February 22, 2012 in Franklin, Tennessee. He was 81. Strange recorded with Elvis Presley (including many of his late 1960's film soundtracks), the Beach Boys, Phil Spector, Frank and Nancy Sinatra, Wanda Jackson, Dean Martin, Willie Nelson and the Partridge Family; wrote No. 1 single "Limbo Rock" for Chubby Checker and 1962 instrumental hit "Tequila" recorded by the Champs; arranged and played on Nat King Cole’s hit “Ramblin’ Rose;” and arranged for all Nancy Sinatra’s albums in the 1960's including the No. 1 hits "These Boots Were Made For Walkin'," "Somethin' Stupid" (her duet with her father), and "Some Velvet Morning" (her duet with Lee Hazlewood).



A long term member of the celebrated cadre of young Hollywood studio musicians known as The Wrecking Crew (because they took work away from the veteran session musicians of the time), Strange played on psychedelic touchstones like the Beach Boys’ “Pet Sounds” and Love’s “Forever Changes.” Rock and roll, all the surf records, big orchestras, country albums, the crooners, he played it all. He made numerous recordings under his own name, including instrumental guitar albums with versions of James Bond and other spy themes and Morricone Westerns and eventually scored his own soundtracks for psychedelic "De Sade" and "Bunny O'Hare" films.



An occasional actor, Mr. Strange played the steel guitarist Speedy West in “Coal Miner’s Daughter,” the 1980 film about Loretta Lynn, appeared in the TV series “Rawhide,” and ghost sang the vocals for Steve McQueen in "Baby, The Rain Must Fall" in 1965. After more than two decades in Hollywood, Strange relocated to Nashville in the early 1970s to manage a music publishing firm of Frank and Nancy Sinatra. He was inducted into the Nashville Musicians Hall of Fame.

Here is a very incomplete discography:
http://www.janderrer.ch/music/billy-strange/billy-strange-credit-list.html



Tune into your source for all things soundtrack, Morricone Youth, this Sunday, March 11th from 2-4 p.m. ET, for host Devon E. Levins dedicates the entire two hours to the genius of Billy Strange.

Friday, February 24, 2012

Tune into your source for all things soundtrack, Morricone Youth, this Sunday, February 26, from 2-4pm ET, for a look back at the scores of films released in 2011 in honor of the 84th Academy Awards scheduled to take place later that day at the Kodak Theater in Hollywood, CA.. Whereas last year's winner Trent Reznor and Atticus Ross' work for The Social Network was built largely on electronic and ambient sounds created by the Swarmatron analog synth, all five nominees this year utilize a full orchestra with nods to scores past. The Artist to Bernard Herrmann's Vertigo; Hugo to Shore's early score for Big but with more French flair; Tinker Tailor Soldier Spy to spy thrillers such as John Barry's The IPCRESS File or Jerry Goldsmith's Russian House; and John Williams' War Horse and The Adventures of Tintin to...well, errr...John Williams. It was a pretty great year for film music.



Host Devon E. Levins will review the nominated original scores and songs, discuss his obvious pick for the coveted Oscar and conclude with some of his favorite overlooked music from the past year.

Best Original Score
The Artist - Ludovic Bource
The Adventures of Tintin - John Williams
War Horse - John Williams
Tinker Tailor Soldier Spy - Alberto Iglesias
Hugo - Howard Shore













Best Original Song
"Man or Muppet" from The Muppets - Bret McKenzie
"Real in Rio" from Rio - Sergio Mendes, Carlinhos Brown and Siedah Garrett



Tuesday, February 14, 2012

DJ DEvon E. Levins spins OSTs at Nitehawk Theater in Williamsburg


Please join us at the Nitehawk Cinema's downstairs café for an evening of cinephilic reverie/revelry as DJs Casey Block, Devon E. Levins (Morricone Youth), and Amanda Chouette spin their favorite soundtracks for your listening pleasure.